12/10/2023 0 Comments Online tuner violin 421 hz![]() Originally designed for broadcast applications about 40 years ago, it was quite popular and then gradually started fading away. Whether our opinions are derived by carefully examining the technical characteristics of a mic or by simply determining what we like through trial and error (or both), the result is the same: some mics inspire, others do not. Inspired (Or Not) Putting the left-brain analysis aside for a moment, there are certain mics that just make us feel good when we record or reinforce vocals and music. Hence the huge range of designs that are available for hundreds of different applications. Obviously, mic’ing a 90-piece orchestra from 30 feet away is not going to alter much of anything, but placing a large-format condenser within inches of a violin not only adds an acoustic obstruction that’s picked up by the mic, but can also affect what the musician hears from the instrument. Phase versus frequency response, distortion characteristics, transient response (how fast the mic responds to acoustic energy and how quickly it stops outputting electrical energy after the acoustic event has ended), polar response, and linearity all play a role in how a given mic will sound, as well as how it can effectively be deployed.Īnd, of course, there’s the issue of the physical obstruction that the mic itself presents to the acoustic source. So know that they may still work and sound great, but don’t expect them to retain their original sound some 40 or 50 years later.Īlso realize that the sound of a mic is not the result of its frequency response alone, but rather, is characterized by multiple factors. ![]() As the years progress, the holes can even be seen with a magnifying glass. Parts may not always be available, and/or are no longer built to the exacting standards they once were.Ī little known fact: mic diaphragms, especially the super-thin low-mass condenser types, will develop microscopic holes over time, eventually leading to a change in tonal color. While vintage mics are coveted, and some command a king’s fortune, old usually means maintenance. But we know how to do it, and one key method is to utilize the mics of yesteryear that made so many concerts, and so many recording projects, become the legends that still set a benchmark today. ![]() So we reach backward in time to validate our present experience, maybe never even knowing precisely why we do it. There was a certain sound during those formative years, when music seemed to change the world, that is still sought after today, even though technology was nowhere near as advanced. The plugins – and even the use of actual tape machines themselves – are intended to “enhance” digital recordings. Look no further than the popularity of various plugins that model the tonality (i.e., distortion and other imperfections) of tape machines. It goes to show that new isn’t always synonymous with better. While some manufacturers seek to advance the state of the art, others work to recreate the classic designs of the 1940s, 50s, 60s and 70s. When it comes to microphones, there are a thousand flavors.
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